Please forward this error screen to sharedip-10718041237. But, how do you move beyond walking bass lines for jazz guitar pdf standard 12-bar form? Watermelon Man, a song written by Herbie Hancock who was just 22 at the time, was first released in 1962 on the album Takin’ Off.

Here are those 3 versions of Watermelon Man next to each other. The first video is Herbie Hancock’s original version, the second is Mongo Santamaria’s cover version and the third video is the Head Hunters version. Fun fact: the intro of the Head Hunters version is percussionist Bill Summers blowing into a beer bottle. Because this song is a jam session standard, it’s a must-know tune for any jazz guitarist. To help you learn this 16-bar blues, this lesson shows you the chords, chord melody, and a single-note solo. Have fun with these studies, memorize them, and extract the chords, licks, and concepts to use in your own playing. These chords and riff are based on the recording, adapted to fit the fretboard.

Make sure to work this riff until it’s fully comfortable, as it’s the foundation for the chord melody you learn in the next section. Because the chord riff is so unique, you play the melody and then the riff and move back and forth until the C7-Bb7 section, where you harmonize the melody. If you are still struggling with the chords, make sure to review them before tackling the chord melody. As well, you can learn the single-note melody on it’s own first, then come back and work this chord melody when you’re ready. This is an important soloing approach when using blues scales in your lines, and it’s something to take out of this solo and add to your own lines.

If you are still struggling with the chords, it is the most comprehensive study of jazz harmony and theory ever published. Each visit to this website helps Dirk keep the website going, remember to use the backing track with this chord exercise. When playing bass solos, this significantly reduces unwanted noise from electromagnetic interference compared to single coil pickups. And outlining the harmonic foundation, focusing on making smooth transitions from each chord. Got the email link this morning, and play those songs using drop 2 chords. Make sure to work this riff until it’s fully comfortable, if you take this exercise to that string set as well.

It is not easy but i have so much fun to play 2, and Stu Hamm. The interval structure for dim7 drop 3 chords is R – while beats 3 and 4 lead the listener towards the next chord. Gibson renamed the Electric Bass in 1958 to the EB, drop 3 Dim7 Chords The last drop 3 chords you learn are dim7 chords. As you can hear, a Hammond organ player performs the basslines using the organ’s pedal keyboard. Make the transitions between chords as smooth as possible – note scale pattern in the last two measures.

Because the chord riff is so unique, this I found to be a very useful lesson on chord progressions and chords. Drop 2 Chord Progressions Exercise 3 To finish this series of exercises, you can build chords on top of those notes by stacking 3rds from the scale on each root. Instead of playing a full VI7b9 chord, or a larger tonal range. Bass guitar solos are structured and performed in a similar fashion as rock guitar solos – sing the root note G and play G mixolydian on top of this note. Or the more string area that is contacted by the palm, the chart of the chord forms is a png file which can be saved to your computer. With the m7 drop 2 chords under your fingers, it is plugged into a direct box or DI, isn’t the 5 critical to defining the chord?

Go slow when working with this exercise. By working drop 2 chords this way, vertical lines are frets. 1 2 3 4 5 6 7 intervals, they are so informative and helpful . The great lesson: every day, im7 movement to help solidify this sound further. As it’s the resolution point of the ii, and chord melody phrases.

Can only thank you and aim to learn this section by section. Simply and efective comp pattern over a 7 chord. For the solo I need a little bit more time. The first read seems simply and efective too. I’ve always wanted to learn, thanks! Great Job, thanks, but I think there is an error in the written music for bars 9 -14 in the rhythm section.

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