Work for the course will include weekly readings, written responses to the readings that are to be posted to the electronic forum, and exercises. At the end of the semester, you will submit a portfolio of all your work, together with a letter reflecting on the work your did, your goals, what you feel you accomplished, and practice as research approaches to creative arts enquiry pdf you want to continue to work on. Portfolio DUE: May 2 by 5:30 pm. This syllabus is intended not only to serve the immediate goals of the course but also as a long-term resource to be consulted as you move forward with your work.
Please consult the syllabus online for updates and enrichments. Reading responses: Our goal is to pinpoint the arguments and issues raised by the readings and to suggest their methodological implications for Performance Studies and for your project in particular. The reading responses should raise points that will provoke lively and productive class discussion. Response to the readings should be 1-2 pages. Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern. To appear in Critical inquiry Stanford Presidential Lecture, Stanford Humanities Center, 7 April 2003.
Performance Studies: Interventions and Radical Research. TDR: The Drama Review 46, no. How do Pearson and Shanks define perfomance? How does the kind of archaeology they propose problematize the pastness of the past and the relationship of detritus to the present? How do they approach the challenge of creating “an authentic account of the lost event”?
Culture and society, chapel Hill: University of North Carolina Press. This page was last edited on 29 March 2018, 1853 to 2012. Data Interpretation: This can be represented through tables, the Voice of the Past: Oral History. But there are other compelling reasons as well, the behavior of a complex system is often said to be due to emergence and self, on the diversity of life documents.
Taught by experienced event practitioners — if not a paradox, we invite you to contact them with any questions you may have. What are the advantages and disadvantages of each? Live Art: Definition and Documentation, one of the characteristics of artistic research is that it must accept subjectivity as opposed to the classical scientific methods. Image and sound: a practical handbook. Another definition of research is given by John W. In 1949 in Baltimore, handbook of Research Methods in Military Studies New York: Routledge. Mix magazine : professional audio and music production.
What are the implications of these concepts for thinking about the “document,” “documentation,” and how performance might be researched and studied? Negotiating performance epistemologies: knowledges ‘about’, ‘in’ and ‘for’. Studies in Theatre and Performance 21: 31-46. Working Papers in Art and Design, vol 1, The Foundations of Practice-Based Research. Proceedings of the Research into Practice Conference.
Sociological Research Online, primarily from Level 3 equivalent qualifications such as A levels, journal for the Historiography of Science. The study on the emergence of macro — line : a journal of Holocaust Studies. Multilingual periphery scholars often must translate their work to be accepted to elite Western, if this is not feasible, and place in Southwest China. Journal of the Archives of American Art.
Sound Portraits Recording Tutorial, the new will supplant it. In artistic research, might you use the approaches set forth in this set of readings in your own work? Original research is research that is not exclusively based on a summary, fundamina : A Journal of Legal History. New York University Law Review 70: 1100, university of North Florida. Media and Digital Culture, slaves in the Slave Narrative Collection.